
A
peachy sun creeps up on a Thursday
morning in Lakewood. Early commuters
slump at the bus stop at the corner of
West Clifton and Detroit roads. Behind
them, the lights go on in the storefront
of Breadsmith. One of the morning crew
turns the front door sign from CLOSED to
OPEN. The day begins with some 700
loaves cut and shaped by human hands.
For most of the history of breadmaking,
hands have been an essential ingredient.
Industrialization changed some of that,
and even small bakeries benefit from
such advances as, well, electricity.
They rely on commercial ovens. They take
advantage of machines that accommodate
enough flour and water to mix 50 loaves.
Still, the bread here is made from
scratch ingredients: flour and yeast,
real butter when it's called for. Nuts
and raisins sweeten some doughs. Herbs
make others savory.
But human minds and muscles are required
to do the job.
The
Lakewood Breadsmith franchise is owned
by Ginius Macys, a former IT specialist
who grew disillusioned with the
corporate scene, and his wife Sabine
Kretzschmar, executive director of the
Shaker Historical Society. Bread lovers
both, they threw their entrepreneurial
energies into this carb-happy enterprise
four years ago -- right in the middle of
an Atkins diet surge. It was tough at
first, admits Macys, but business has
grown steadily since.
About a third of the daily yield goes
to restaurants and small markets; the
rest is sold at the shop. French and
Italian are daily staples, but varieties
such as Irish soda bread and Tuscan herb
loaf are offered as specials on certain
days.
For the most part, the life of each
loaf begins the evening before it is
presented for the buying public. This
Thursday morning's yield begins around 8
Wednesday night, with Aaron Slocon, a
Liberian man who has worked at
Breadsmith for three years, measuring
ingredients for each variety into a
commercial mixer.
For the Baltic rye: wheat flour, rye
flour, rye meal and sourdough starter.
Rustic Italian is simpler: wheat flour,
water, salt and yeast.
After each mix, Slocon turns the
dough into a covered plastic bucket for
proofing -- when the dough rises.
Different doughs require different
amounts of time in the proofing buckets.
Although this is a "slow" night, with
about 13 kinds of bread on the schedule,
keeping track of time is a key task for
the night shift.

Tiffany Tanner is, among other
things, keeper of the watch -- a task
she performs in her head, not on paper.
Tanner runs the bench, where proofed
dough is smacked to expel excess air,
then shaped and formed.

Tanner works the bench with Mashbura
Aliyeva and Nazli Mukhtadova, a
mother-daughter team who brought their
own breadmaking skills from Uzbekistan.
Keeping proof times in mind, Tanner
and the others retrieve the enormous,
yeasty doughs -- perhaps 50 pounds of it
at a time -- from each tub, one by one,
and turn them onto a flour-covered wood
block.
"This is the best part of the night
-- making bread," says Tanner. "This is
the Zen part."
It is low-stress work, Tanner says,
but breadmaking at this level demands
physical effort and a sensitivity about
how variables like the weather will
affect certain doughs.
The women take turns swiftly
separating chunks of dough from the
whole and weighing them. Then three
pairs of hands begin kneading and
shaping each 2-pound chunk, either to be
fit into a traditional bread pan or for
its life as a free-form loaf. The hands
dance with the dough until the bench is
covered with perhaps 100 loaves that the
women eventually place on racks for
another period of proofing.
The air in the kitchen is filled with
the scent of yeasty ferment. Tanner
keeps watch on the clock, deciding which
breads need more time and which are
ready to go into the tiered, stone-lined
bread oven. Those that are ready go onto
the setter, a conveyor that can, with
some muscle, be raised and lowered
depending on which shelf of the oven the
loaves are headed for.
Tanner hovers over the setter and
uses a razorlike tool with a French
name, lame, to slash a lip into each of
a dozen loaves of Italian bread. The
lame is "a 20-cent piece of equipment
that changes the complexion of the
bread," Tanner says. She can slice
checkerboard patterns into sourdough
rounds or give baguettes a series of
sharp diagonal cuts.

By 3 Thursday morning, the kitchen is
hot. There's an easy rhythm as the women
turn out the dough, shape it and move
loaves into the oven. Tanner pulls them
out about six at a time on the end of
7-foot-long wooden paddle. She slides
them onto cooling racks. By 5, a batch
of hoagie rolls emerges from the oven
and the night's baking is done.
The morning shift workers arrive
around 6, greeted by three tall bakery
racks lined with cooling loaves. They
bag some for deliveries to stores and
restaurants and put others on shelves in
the front of the store as the RTA buses
go by.
It will be more than an hour before
the first customers come through the
front door, looking for something that
is both new and old: fresh bread, made
by hand.